The Timers, "No Go Showboat" c/w "Competition Coupe," Reprise 231 (rel. 11/1963); Gary Usher & The Usherettes (Honeys), "Three Surfer Boys," Dot 45-16518 (rel. 7/1963)

 

It's a batch of Beach Boys-adjacent rarities for thought-free summer fun! In 1963, as waves of Beatlemania lapper up on American shores ("From Me to You," the Beatles' third single, got into some regional Top 20s that summer), SoCal surf and car songs ruled the roost. Fad-mad America welcomed the genre, alongside all the dance crazes, commercialized folk music, etc., while the Billboard Hot 100 was a hotbed of a wide integration of musical styles.
    For Capitol Records in LA, Brian Wilson was a cash-cow--with his group The Beach Boys on a hot streak and no end in sight, as the lad's family issues weren't disclosed and everyone did their best to show up, make records and show dates and not incur the wrath of their Cyclops monster, father Murry.
    Brian Wilson found kindred spirits in Gary Usher and Roger Christian, who shared his vision of a utopian pop music based on the kind of rugged outdoor kicks the shy Brian never approached in real life. Today we'll hear three songs that fall outside the official Beach Boys canon but have close ties to Capitol's star group (until said Beatles usurped them in a few months).
    "No-Go Showboat" is a deep track in the Boys' early catalog--an album filler for their third LP, Little Deuce Coupe. With lyrics by Roger Christian, it offers an unusual minor-key interlude amidst a sweeping melody with Brian's usual bluesy turns. We get to hear Wilson, uncredited, sing lead on this unusual song, with Usher doing the Mike Love counter-vocal on a spirited attempt to get this exotic song into the hit parade. "When it comes to speed, man, I'm just outta luck/I'm even shut down by the ice-cream truck" may be Roger Christian's best couplet on this appealing, melancholy item that showed, in Usher, a producer on Wilson's level, with a great ear and understanding of dynamics. 
    It had the misfortune to hit the stores at a time of national mourning. The assassination of John F. Kennedy made such happy-go-lucky music verboten for a spell; it took The Beatles to perk America up and restore some pluck and grit to a troubled nation. By that time, The Timers' time was up. No-go!

The Timers' single got a Cash Box review; no time was given to our bonus track, which features Brian Wilson's femme trio The Honeys, whom he produced for Capitol and Warner Bros. Records.


"Competition Coupe" lacks Brian Wilson's voice and songwriting. This is pure car-porn, with Christian's clinical lyrics a bit disturbing. An LA radio personality, Christian had a legit background in drag racing, and knew his subject a bit too well. Those who love car culture have much to savor in his descriptive motor fantasies, and he co-wrote several classic songs, including one masterpiece, "Don't Worry, Baby" for The Beach Boys in 1964.


Due to the brevity of these two tracks, I've added an earlier effort by Gary Usher, with The Honeys, a girl-group trio who'd make the classics "The One You Can't Have" and "He's a Doll" with producer/cleffer Brian W. "Three Surfer Boys" is a suggestive novelty that evaded the censors in the summer of '63. 'The Usherettes' bemoan the titular trio's obsession with "waxin' their boards" in their woodies. Um, er, um...
    I know it's unintended, but still...yes...kinda hard to get around that innuendo. Girls, these guys are waaaaay too much into themselves. No huggin' an' a-kissin' is in store for you here. 


And...yeah. That's...that's a record. Yep. It does show how tight this group of like-minded record-makers were in 1963. Many great records resulted; here are three curiosities from a prime period in LA teen music.

Tomorrow: Billy "The Kid" Emerson delivers a Memphis classic via a 1955 Sun Records single. The A-side became a much-covered r&b/rock standard. 

Comments

  1. "2,4,6,8—What a way to spend a date!" are priceless lyrics. These are all a hoot. The first two car songs don't have Jan and Dean's 1964 hit "The Little Old Lady From Pasadena" intelligible AND funny lyrics. As you noted, they suffer from TOO much info about the car and no emotion from the driver.

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