Donna Loren made some excellent girl-group sides in Los Angeles.
Before her acclaimed recordings for Capitol Records, she worked with smaller
labels, including Challenge, a label owned by cowboy movie and music star Gene
Autry. Distributed by Warner Brothers Records, Challenge was home to some harder-hitting
teen material than was the norm for 1963.
Loren was a child performer who’d
had much media exposure as she came of age. From appearances on The Mickey Mouse Club to a dramatic role
in a 1960 Playhouse 90 episode (with
a young Robert Redford) to American International Pictures’ dopey-but-amusing
beach party movies, Loren was no stranger to the spotlight. Becoming “The Dr.
Pepper Girl” got her image splashed across America in print ads, TV commercials
and guest appearance on network programs. Her perky, bright voice recorded
well, and she brought heart to her performances. One of her best moments is “Dream
World,” a picture-perfect girl-group anthem written by Joy Kennedy, a
songwriter who also placed material with Clyde McPhatter, Joanie Sommers and Little
Willie John.
The sound of “Dream World”
presages the acoustic guitar-driven side of The Beatles’ 1964/65 recordings.
Its opening might give you a déjà vu feeling: it’s a dead ringer for Beatles
songs such as “It’s Only Love.” This gripping song starts intimate, and its
arrangement grows step by step with finesse. Loren’s double-tracked vocal sits
atop this growing soundscape, and she sells this emotional, earthy song to the
max.
I
wouldn’t change one second of this recording; it’s perfect. How this failed to
connect with the public—or become a much-performed pop standard—is baffling. It
shouldn’t surprise me anymore, as I’ve shared with you thousands of worthy
records that no one knows about. It was spotlighted in 1995 on Ace UK’s
excellent compilation of Challenge Records girl-group songs, Playin' Hard To Get - West Coast Girls (CDCHD 559), a CD I give
three thumbs-up to. Here it is from the original 1963 promotional pressing…
Cash Box went overboard with jargon on this positive write-up. As they do.
These two sides were
recorded at the legendary Goldstar Studios in LA—birthplace of many girl-group
and early rock ‘n’ roll classics. A rockin’ revival of country star Stuart
Hamblen’s “(Remember Me) I’m the One that Loves You,” which Dean Martin would
hit with in 1965 provides a clever change-of-pace on the flipside.
Sometimes an inspired
treatment can give a stale song new life; this is one example. The uncredited
arranger gives this cowpoke classic a New Orleans-inspired hard pop-rock overhaul
with a wailing lead by Loren, a powerful backup band and a male vocal chorus
that doesn’t detract from the overall effect. Donna’s performance is
overpowering here. I’m sure Hal Blaine is on drums, with other members of The
Wrecking Crew in tow. They work best with singers who don’t play instruments,
and Loren’s solo vocal is ideal for their approach. Cash Box pegged this as the top side, and though nothing can
complete with “Dream World,” it’s an effective flip. Another great record
nobody knows about!
I hope you’ve enjoyed
this, one of my favorite singles in my collection.
Tomorrow: femme fury
foments with soulful Jackie Ross on a sassy, brassy 1964 Chess single. Chicago
soul with wild string and brass arrangements and full-bodied sound.
To me, both these great songs sound a little musically forward for 1963. She certainly was able to cover a rock-cha-cha sound and then growl out a heart felt number with 'good-sounding upbeat bits.'
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