OTIS WILLIAMS & HIS CHARMS, "WATCH DOG" C/W "MY PRAYER TONIGHT," DE LUXE 45-6183 (REL. 3/1959)
Otis
Williams and His Charms were a mainstay of King Records’ De Luxe imprint in the 1950s. They formed in 1952 when Williams, high school football star, sat
in on a rehearsal and all parties involved had that “ah ha!” moment. Williams
named the group after his favorite brand of candy, and the group made one
single for the Rockin’ label in 1953.
Syd
Nathan revived De Luxe to showcase the group, and a string of 39 singles
appeared into 1959. The group switched to head label King for a further dozen
45s, this time into 1964. This is a large body of work and almost all of it
excellent. The group specialized in r&b versions of country songs—we played
a pair of them way way back in the Facebook days (those posts are all still up
and most of the music links still work).
Today
we’ll spin a scarce 1959 platter that contains two songs penned by Henry Glover,
King’s main producer and in-house composer. This record is an ideal adjunct to
the new podcast, which packs 21 performances by Black vocal groups of the 1950s
and early ‘60s. We do what we can to keep doo-wop and vocal group music alive.
It’s a vital American music form and deserves to remain alive and well.
“Watch
Dog” is a delightful blend of doo-wop style and blues content. With a
distant-sounding guitar that delivers nagging riffs, oodles of studio reverb
and superb harmonies by The Charms, Williams is in top form as he sings a plea
for freedom to be a roué while his girl stays at home.
Glover
seems inspired by the songs and sound of The “5” Royales and its head cleffer
Lowman Pauling. The lines of personal philosophy, delivered in driving group
harmony, are right out of that group’s playbook—as is the insistent guitar
figure that’s a bit distorted. The song might have been written with the
Royales in mind and then passed along to Williams, who makes it his own from
the first sounds of his voice.
“My
Prayer Tonight” is a revival of a song first recorded by King group The
Checkers in 1952. It benefits from an atmospheric arrangement and a more relaxed
rhythm. (A comparison to the Checkers’ original—link below—illustrates how
Black music changed its approach in the late 1950s.)
It’s
the same song, but Williams and The Charms’ approach is modernized without dishonoring
the first version. Otis’ intense lead looks forward to the soul music movement,
which he would join with elán in the mid-1960s.
The
Checkers’ 1952 original:
https://www.youtube.com/watch?v=SWuo1o_Xxfo
Tomorrow: intense hormonal teen doo-wop from Cleo and The Crystals, via a rare 1957 Cindy Records 45. The sound of the boroughs of NYC—raw and naĂŻve!




"Just like a hound dog watchin' a bone." Love it!
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